A portrait of the Swedish director Roy Andersson, dealing with obsessions of the film maker considered as the origins of his last incredible project : Songs from the Second Floor. 20 years of reflection and creation, 4 years to shoot a masterpiece with a unique way of filming. A meeting with the Nordic Kubrick, rebel with a cause : responsibility and humanity.
过了好几天脑袋里还是导演的声音“oui oui oui .oui oui oui……”
万物皆有其时,万事皆有尽头。(represent a remind. it is there.
作为一个大白胖子,没掺和安德森的电影,人生太失败了。
很妙的放映形式,像当年的DVD加花絮。放完正片,接着是一个胶片的导演纪录片,讲了灵感缘起,诗人和照片。从具体的角色变化到某个场景的拍摄方式,令人窥见了一个创作者是怎样对待电影创作的。那些一棒子打翻说装叉的,真应该来看看,要怎么样才能完成这么一个大叉。
很多段落是对导演回忆的场景再现..
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