130分钟
In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see ...
前两天才给某人看了原片
very essayistic elegy to film and life. Like the idea of the chase and that of Keaton and Beckett being each other's Doppelgänger. Nice Beckettian title.
前半段一直翻白眼纪录片好歹也得注意下电影语言吧可是后半段理清人物关系后还是被ross的情怀贝克特的理念跟基顿的执着等感动了。探讨object跟eye的关系到如此深刻的地步真是会让影人自惭形秽。后面柯达的前老大遗书to my friends,my work is done, why wait? 倒留下观者唏嘘不已了。#哎电影还是美
關於E與O的論述。
有些拖沓了
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